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May/June 2014

by | 10 years ago

Feature

56

Altered States

Have you ever had a final image stuck in your head that you knew you couldn’t capture in camera because an image like that simply doesn’t exist in the real world? That’s where photo compositing and special effects come into play in Photoshop. Mark S. Johnson will show you how to take elements from multiple photographs and mix them up to create a powerful-hitting image from another realm.

Special Feature

102

Elemental Isolation

To create a better black-and-white image, add more color. If this makes no sense to you, turn to page 102 and Mark Heaps will explain it all. You’ll soon be supercharging your own Black & White adjustment layers.

Columns

46

Design Makeover

On-Site Treatment Plan

50

By Design

Principles of Design

70

Photography Secrets

ISO 101

122

Photoshop Tips

130

From the Help Desk

How-To

28

Down & Dirty Tricks

Stitching Fabric in Photoshop

34X-Men Type Effect
40Photo Blend
66

Beginner’s Workshop

Smart Sharpen Savvy

76

Light It

In the Shadow of Her Bike

108

Photographer’s Workbench

CMYK Gamut Corrections in Print, Part 1

112

Beyond Photoshop

Animating a Fresco, Part 2

Departments

6

From the Editor

10

Contributing Writers

12

About Photoshop User Magazine

14

KelbyOne Community

20

Exposed

22

Photoshop World Guru Awards

Lightroom

82

Story Of An Image

The Breaking Wave

88

Under the Loupe

Transferring Your Lightroom Catalog and Photos to a New Computer

94

Maximum Workflow

Exposure 5

100

Lightroom Tips and Tricks

Reviews

114

Leica M240

115

PercepTool 3
The Aviator Travel Jib

116

Petzval DSLR Art Lens
Cinemagraph Pro

117

Profoto Umbrella Deep and Shallow

118

Hydra HDRi Pro
Pixelmator 3.1 Marble

120

Photoshop Book Reviews