From the park location, David directs an off-camera flash setup with large white clouds in the background

Get the light on the subject and fill that light with the off-camera flash

Light colored background with the bride popping forward

No flashes. Just studying the light and placing the subject in camera in the best place

This new setup positions the bride and groom under a heavy canopy of trees

Great leading lines make a nice background for a casual shot of the groom

Walking through a scene and deciding what will work best for quality pictures

Quick portrait and creating a composition on the fly

No flashes. Just using the loop lighting pattern to make a pretty photograph

The lighting really comes together in this final shoot at the park location

This magnificent old Florida church is a beautiful location that David has shot in before

Starting from the back of the church and moving to set locations around the church

Working from the back of the church and shooting towards the altar

The rows of pews creates a compositional line bringing focus to the subjects

Getting low to shoot up into dramatic backgrounds

Positioning and patience will allow the sun beams to come down beautifully onto the bride

Positioning the bride and groom near the stained glass window with pillars in the background

Utilizing the looping light pattern and repeating background

This setup brings the bride towards the front of the church

Using fisheye lens in a tight location to get an interesting shot

Using a fisheye lens and the monopod to position the camera well above the subjects

Adjusting to the light outside the church and shooting the couple in front of the church

Time is very important as the sun drops from behind the subjects on the beach

Making the most of the fading sunlight with some backlight shots mixed in