Rich introduces the concepts covered in the class and then jumps right into discussing how to manage your memory cards and safely move your captured data to your hard drive.
You can't be too paranoid when it comes to your captured data. Start with a process that includes the creation of a verified backup of all your digital assets.
Video captured on a DSLR camera is heavily compressed in order to get all of the data saved onto a camera's memory card. Working with compressed data can be a burden on your computer during editing, and this is where you need to decide if you want to work native or transcode. Rich explains the pros and cons of each.
Before you get to the editing stage it is helpful to get your assets organized. Adobe Bridge is a great tool for helping you get your video files sorted and under control.
The best way to get reacquainted with the footage you captured is to review it. Rich shows you two ways to review footage and get it organized for editing.
Starting with the original treatment that was signed off on by the client, it is time to develop the story based on what was actually captured during the shoot.
Beyond the video you've already captured there are additional assets that you'll want to have on hand to complete the project. Components such as voice over talent, high resolution logos from the client, supporting graphics, music, and sound effects to name a few.
You've successfully backed up your media, organized your files, assembled all of the necessary components for the final video, and now you are ready to transition to editing. Join Rich as he provides an overview of where you'll go from here.