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Lighting for Environmental Portraits
Joe McNally
with Joe McNally
$29
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As Joe McNally says, an Environmental Portrait is a Face in a Place. The setting is just as important as the subject, and the goal is to merge those two elements together in front ... READ MORE
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Lighting for Environmental Portraits
lessons: 14 Course Lessons
duration: 59min
published: 2010
watched: 1629 Member Views
Lighting for Environmental Portraits
with Joe McNally
As Joe McNally says, an Environmental Portrait is a Face in a Place. The setting is just as important as the subject, and the goal is to merge those two elements together in front of the camera. Join Joe as he takes viewers on three different shoots and tries to find the right mix of lighting, detail, and atmosphere to tell the story. BUY COURSE
Our Courses Are all Broken Down Into Small Lessons Creating Easy Breaks and Stopping Points
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lesson 1: Irish Pub: Location Assessment (free course preview)
5min, 56sec
lesson 2: Irish Pub: Lighting Adjustments
5min, 11sec
lesson 3: Irish Pub: Collaboration
8min, 53sec
lesson 4: Irish Pub: Secondary Setup
2min, 43sec
lesson 5: Irish Pub: Individual Pics and Recap
5min, 8sec
lesson 6: Firehouse: Manual Strobes
2min, 22sec
lesson 7: Firehouse: FNG
2min, 12sec
lesson 8: Firehouse: Lighting with Rangers
2min, 51sec
lesson 9: Firehouse: Group Shot
8min, 22sec
lesson 10: Firehouse: Controlling the Light
3min, 9sec
lesson 11: Garage: TriFlash
3min, 25sec
lesson 12: Garage: Diffuser
1min, 36sec
lesson 13: Garage: Found Objects
2min, 44sec
lesson 14: Garage: Recap
4min, 52sec
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Joe McNally
meet  Joe McNally
Master of Portraits & World Leader in Flash Education
Joe McNally is an internationally acclaimed, award-winning photographer whose career has spanned over 30 years and included assignments in over 70 countries. Bridging the world between photojournalism and advertising, he has shot cover stories for TIME, Newsweek, Fortune, New York, Entertainment Weekly, The New York Times Sunday Magazine, Men's Journal, Sports Illustrated, and National Geographic.
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