Join Joe on the set as he introduces the class and dives right into his process for creating a strong photograph of the first ballerina in a sculptural way with light.
With the ballerina on set it is time to start shooting, and Joe is courting disaster a little bit by mixing light sources, using a slow shutter speed, and capturing a moving subject.
Joe and his assistant create a huge softbox from six speedlights and a strip light from three more. The end result is motion stopping flash duration while still providing a big broad cover of light.
Time to put the speedlight setup from the previous lesson into action as the dancer leaps through the wall of rose petals. Joe follows up with an in-depth look at the lighting setup.
A new day and new dancers brings a change in lighting to a very sparse and elemental look to compliment the physicality of the dancers.
The last shoot of the day brings in a new dancer and a lighting change that frees up the dancer to create in the air. Joe wraps up the class with an overview of all the concepts that were covered.