Bill shares his thoughts on his gear choices, from camera bodies to lenses, for this type of self assignment.

The first stop on the journey is the old office for Old Car City. It is a target rich area, and Bill uses it to describe his way of getting started working on location.

In an environment like Old Car City there is ample opportunity to get in close on various details and graphic elements.

Shooting close up with a wide open lens can create a really shallow depth of field for making subjects pop out of the out of focus background.

Coming across a classic DeSoto provides a number of different shooting opportunities.

Tucked away in the woods this Ford Super DeLuxe is full of character, and Bill shows how he shoots a wider environmental portrait before zooming into a tight shoot on the grille.

There are so many different types of things to shoot in a location like this that it can really help you focus if you come up with a theme for what kind of shots you want to get.

After the shooting is done Bill walks through some of the images he's captured and discusses his post-processing techniques.